Much Ado About You (Essex Sisters, #1) by Eloisa JamesWhen youre the oldest daughter, you dont get to have any fun!
Witty, orphaned Tess Essex faces her duty: marry well and marry quickly, so she can arrange matches for her three sisters -- beautiful Annabel, romantic Imogen and practical Josie. After all, right now theyre under the rather awkward guardianship of the perpetually tipsy Duke of Holbrook. But just when she begins to think that all might end well, one of her sisters bolts with a horse-mad young lord, and her own fiance just plain runs away.
Which leaves Tess contemplating marriage to the sort of man she wishes to avoid -- one of Londons most infamous rakes. Lucius Felton is a rogue whose own mother considers him irredeemable! Hes delicious, Annabel points out. And hes rich, Josie notes. But although Tess finally consents to marry him, it may be for the worst reason of all. Absurd as she knows it to be, she may have fallen utterly in love . . .
Much Ado About Nothing
Much Ado About Nothing is one of Shakespeare's most frequently performed comedies. Probably written in the latter part of , it was performed soon afterward by the Lord Chamberlain's Men, the theatrical company in which William Shakespeare had a business interest separate from his duties as actor and playwright. Much Ado is apparently based on a story in a collection of stories by Italian writer Matteo Bandello, originally published in and translated into English in Some plot elements and characters may have been inspired by a lengthy Italian poem, Orlando Furioso by Ludovico Aristo, originally published in and translated into English in The scenes with Dogberry and his men find ready counterparts in early movies featuring the Keystone Kops and the Marx Brothers. If Much Ado were only a play depicting its characters as products of their circumstances and the situations they encounter, the play would seem quite shallow and would probably not be popular today. However, most of the complications and problems are resolved through psychological growth in several characters rather than merely through changes in circumstances see the Character Analyses later in this study guide.
Don Pedro has been victorious in a small war against his own half-brother, Don John, who has now reluctantly joined him. From the beginning to the end of the play, two love stories are intertwined. One story follows the formal, romantic relationship between Leonato's daughter, Hero a young woman , and Claudio a young officer : Claudio realizes, after returning from war, that he is deeply in love with Hero and wants to ask her father for permission to marry her. His commander, Don Pedro, helps Claudio propose marriage, with some momentary confusion about who the suitor is — Don Pedro or Claudio. The other couple, Beatrice Hero's cousin and Benedick another officer , work hard to give the impression that neither is the least bit interested in the other, still smarting over bad experiences in earlier encounters with one another. From the beginning of the play, Beatrice and Benedick tease and insult one another mercilessly and repeatedly deny that they will ever marry anyone, let alone marry one another.
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In This Section
Benedick and Beatrice exchange some barbs, and the sum of their interaction is that they both hate love and will never get married. Unless they fall in love with each other and get married. Benedick is full of jokes, and thinks marriage and women are bad news, especially the two combined. Leonato goes off to prepare his daughter, Hero, for what he assumes will be a proposal of marriage from Don Pedro. The scene moves to Don John. Leonato, Hero, Beatrice, and company are getting ready for the masquerade ball after dinner.