Much ado about nothing kenneth branagh review

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much ado about nothing kenneth branagh review

Much Ado About Nothing: A Screenplay by Kenneth Branagh

This edition is the the tie-in for the Kenneth Branagh movie, so it is the movie script - some of the play has been cut. It includes photos of the shot, including the names of the horses the men rode.

Much Ado is my favorite Shakespeare play and I could write a wonderful essay about it (I did in college after all). Kenneth Branagh, however, says it best in the introduction:

In short, the play presents a whole series of emotional and spiritual challenges that we - young, old, male, female - continue to face when we love. And all throughout this comic debate about everything and nothing, there is life-giving, wisdom-bearing, humour and warmth. The piece is harsh and cruel as people can be. It is generous and kind as they can also be. It is uplifting but never sentimental. It holds the mirror up to nature and allows us inside its wonderful warts-and-all world of human nature, to understand and perhaps even to forgive ourselves for some of our oft-repeated follies. (Branagh on page xvi).

To which I say - WORD.

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Much Ado About Nothing (1/11) Movie CLIP - A Mutual Disdain (1993) HD

In the opening scene of "Much Ado About Nothing," Kenneth Branagh insists on the tone the movie will take: These are healthy, joyful young.
Kenneth Branagh

Much Ado About Nothing review

Much Ado about Nothing is Kenneth Branagh's adaptation of one of Shakespeare's better-known comedies. For Hero and Claudio, it's love at first sight and, as with any immediate attraction, they have a lot to learn about each other. Beatrice and Benedick, on the other hand, have known each other for quite some time and it takes a little none-too-subtle prodding from their friends to help them realize and admit their feelings. With Henry V , Kenneth Branagh made a stunning motion picture directorial debut, setting the cinematic world on its collective ear with a rendering of the story that many consider the equal of, if not superior to, the legendary Laurence Olivier production. Now, two films Dead Again and Peter's Friends and four years later, Branagh has again taken Shakespeare to his pinnacle. Much Ado about Nothing is a much different sort of picture, but no less impressive. For those who don't find Shakespeare's comedies funny, this is the film to see, because it's hilarious.

Much Ado About Nothing () on IMDb: Movies, TV, Celebs, and more. I am quite confused about the reviews Kenneth Branagh's version of the timeless William Shakespeare classic is a great rendition of the film, making it accessible to.
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Director has gone to great lengths to insure that nothing is left unclear, and to make every scene as physical, playful and rollicking as possible. Result is a film that is continuously enjoyable from its action-filled opening to the dazzling final shot, one that offers a very generous welcome to newcomers to the play, and reminds those familiar with it of its heady pleasures. From the outset, Branagh injects this tale of foolishness, betrayal and transcendent love with an invigorating earthiness.

Reading this on mobile? Click here to watch video. There was a great fear in the s and 70s that various respected directors who'd moved into making epics and blockbusters would be unable to return, even occasionally, to more modest productions. Some of them didn't, most notably David Lean. The same query was raised over Francis Ford Coppola and, more recently, hangs over Christopher Nolan.

Much Ado is arguably Shakespeare's wittiest comedy, dealing as it does with the feigned antipathy of its talkative, bantering protagonists, confirmed bachelor Benedick and spirited Beatrice, whose real love for each other is joyfully exposed by the ingenious match-making of their cronies. Around and between these two, a hectic whirl of courting, conniving and clowning takes place as Don Pedro, Prince of Aragon Washington, dandy down to his leather trousers energetically promotes his comrades' happiness; his jealous bastard brother Don John Reeves permanently a'glowering broods and plots; wan young drip Claudio Leonard falls in and out and back in lurve; and the famously inarticulate local constable Dogberry a very funny, quirky Keaton twinned with stooge Ben Elton bumbles upon the truth behind a despicable deed that threatens to undo all. Branagh has deposited his production on a lovely Tuscan estate where the delicious repartee and romping unfold as a suitably sunny summer idyll, with ideas borrowed as much from Hollywood adventures as from theatrical tradition, from the gallants' arrival galloping into shot like something from The Magnificent Seven, to the lovestruck Benedick stomping about in a fountain like Genes Kelly or Wilder. Emma T. Be assured that any previous acquaintance with the play is unnecessary, since Branagh's forte in Shakespeare is, of course, to emphasise the sense, and he has done so here with charming playfulness and an exuberant ensemble. The result is wonderfully unrestrained, romantic and funny. By Angie Errigo Posted 1 Jan

The repetition of the lyrics is seen at the beginning, the middle, and the end of the film and helps to wrap up the film in a way. The Messina countryside also helps to create a sunny and joyful atmosphere, while also creating a sense of seclusion and escape from reality, which helps to captivate the audience. In classic Shakespearian style, mistaken identity, lies, and deceit lead to a series of events that provide the humour for this movie. Keanu Reeves plays the part of the villain Don John, and to be honest he plays the part quite poorly learning that Reeves had been nominated for a Golden Raspberry Award for this role did not come as a surprise. In the scene between Don John and his henchman Conrad, Reeves portrayal of Don John is awkward and at times over dramatic. While the whole cast, with the exception of Reeves, is excellent, Branagh and Thompson really shine in their respective roles. Michael Keaton plays Dogberry, the slightly creepy but sincere policeman who ends up saving the day.

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